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Interfejs wyobraźni — live electronics jako przestrzeń spotkania kompozytorów, wykonawców i technologii. Praktyka, wyzwania, dokumentacja.

07.02 Sat 11:00

A dis­cus­sion pan­el devot­ed to meth­ods of work­ing with elec­tron­ics, com­bin­ing the per­spec­tives of com­posers, per­form­ers, and sound engineers.

The point of depar­ture will be the process­es sur­round­ing the real­i­sa­tion of Pierre Boulez’s Dia­logue de l’om­bre dou­ble. The dis­cus­sion will address strate­gies for work­ing with dig­i­tal tools, the chal­lenges that elec­tron­ic music pos­es for the artists involved in the process of cre­ation, per­for­mance, and record­ing of a work, as well as doc­u­men­ta­tion stan­dards. Using Marcin Łopack­i’s Mono­sym­pho­ny op. 101 as an exam­ple, we will reflect on the ways in which arti­fi­cial intel­li­gence is pre­pared to co-shape and sup­port process­es in con­tem­po­rary music.

Pro­gram:

5 lec­tures cul­mi­nat­ing in a dis­cus­sion pan­el with audi­ence participation

Speak­ers:

Marcin Łopac­ki lec­tureMa­ciej and Izabela Wie­jacz­ka lec­ture­An­drzej Kopeć lecture

Piotr Zawadz­ki lec­tureKrzysztof Knit­tel lecture

Pro­duc­tion:

pro­gramme con­cept and text (or artis­tic direc­tion, cura­to­r­i­al over­sight, series cura­tor etc.):

Piotr Zawadz­ki pro­duc­tion: Olga Pasekvi­su­al iden­ti­ty: Alek­san­dra Ołdak­co-organ­i­sa­tion: Fun­dac­ja Ensemblage

The Hash­tag Lab Con­tem­po­rary Music Space is co-fund­ed by the City of War­saw. The media patron of the Hash­tag Lab Con­tem­po­rary Music Space is POLMIC​.PL and Dwój­ka Pol­skie Radio.

The project is co-fund­ed from the resources of the Nation­al Recov­ery and Resilience Plan.

If you want to learn more about the artists:

Fun­dac­ja Ensem­blage car­ries out artis­tic, edu­ca­tion­al, and pub­lish­ing activ­i­ties in the field of con­tem­po­rary music. It realis­es projects com­bin­ing per­for­mance and com­po­si­tion with the explo­ration of new tech­nolo­gies, includ­ing record­ings, pre­mieres of works, and doc­u­men­tary and out­reach activ­i­ties. In recent years it has pro­duced, among oth­ers, phono­graph­ic pro­duc­tions fea­tur­ing out­stand­ing musi­cians, an inter­na­tion­al wind orches­tra con­duct­ing com­pe­ti­tion, and oper­at­ic projects. The Foun­da­tion also devel­ops a research and edu­ca­tion­al com­po­nent, sup­port­ing the exchange of knowl­edge and expe­ri­ence in artis­tic communities.

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