Skip to content

ICTUS in Warsaw: Andrea Centazzo i goście Ksawery Wójciński & Olgierd Dokalski / Marta Grzywacz

10.05 Sat 20:00

40 PLN

We invite you to an evening of impro­vised music. We don’t know how the Lab will sound on a May night… but we know it is worth being here to expe­ri­ence these sounds. For the first time in Poland we will host Andrea Centazzo!

Andrea Cen­taz­zo is an out­stand­ing musi­cian, per­cus­sion­ist, com­pos­er and impro­vis­er. Founder of the leg­endary ICTUS label, he has been present on the inter­na­tion­al scene for five decades and will be per­form­ing in Poland for the first time.

He will be joined, in accor­dance with his own wish, by two Pol­ish musi­cians: dou­ble bass play­er Ksaw­ery Wój­cińs­ki and trum­peter Olgierd Dokals­ki. The con­cert ahead promis­es to be an excep­tion­al event — not only because it will be the first encounter between these artists, but above all because it promis­es to be an act of cre­ation in situ nascen­di, unre­peat­able, one of a kind, and per­haps unlike any­thing we could have heard before.

The evening will open with an impro­vised con­cert by Mar­ta Grzywacz — vocal­ist and impro­vis­er of Hash­tag Ensemble.

Pro­gram:

Mar­ta Grzywacz

break

Andrea Cen­taz­zo and guests: Ksaw­ery Wój­ci­c­ki and Olgierd Dokalski

Pro­duc­tion:

Artis­tic con­cept and text: Maciej Karłows­ki Pro­duc­tion: Lil­ian­na KrychVi­su­al iden­ti­ty: Alek­san­dra Œdak­Sound engi­neer­ing: Kos­ma Standera Co-orga­ni­za­tion: Fun­dac­ja Słuchaj! and FSRecords Pub­lish­ing House.

The Hash­tag Lab Con­tem­po­rary Music Space is co-financed by the Cap­i­tal City of War­saw. The media patron of the Hash­tag Lab Con­tem­po­rary Music Space is Dwój­ka Pol­skie Radio and POLMIC​.PL.

Find out more about the artists:

Andrea Cen­taz­zo

A leg­end of the impro­vised music scene. Com­pos­er, per­cus­sion­ist and mul­ti­me­dia artist. For more than five decades he has been a bold explor­er of con­tem­po­rary art. In the ear­ly 1970s he intro­duced a new con­cept of drum­ming, migrat­ing from Free Jazz to a new form of impro­vised music, defin­ing him­self while simul­ta­ne­ous­ly search­ing for his own new com­po­si­tion­al meth­ods. In the late 1970s Cen­taz­zo was one of the founders of the New York Down­town Music Scene, col­lab­o­rat­ing with John Zorn, Tom Cor­ra, Eugene Chad­bourne, Toshi­nori Kon­do and oth­ers, as doc­u­ment­ed on many albums. In 1976 he found­ed ICTUS Records, one of the first musi­cian-run labels, record­ing with Steve Lacy, Evan Park­er, Pierre Favre, Derek Bai­ley, John Zorn, Alvin Cur­ran, Albert Man­gels­dorff, Don Cher­ry, Marylin Crispell, Elliott Sharp and many oth­ers. He left the impro­vised music scene in 1986, begin­ning a career as a video cre­ator and short­ly there­after mov­ing to Los Ange­les, Cal­i­for­nia, devot­ing him­self to com­po­si­tion and film direc­tion. Cen­taz­zo is the author of three operas, two sym­phonies and near­ly five hun­dred com­po­si­tions for ensem­bles of all kinds, as well as many award-win­ning video films. The Library of the Uni­ver­si­ty of Bologna at DAMS recent­ly ded­i­cat­ed to the com­pos­er the Fon­do Andrea Cen­taz­zo, where all his works are col­lect­ed and made avail­able to stu­dents and schol­ars. In Novem­ber 2017, at the city hall in Udine, Italy, he was award­ed the Seal of the City. The may­or, Alber­to Felice De Toni, accom­pa­nied by the coun­cil­lor for cul­ture and the coun­cil­lor for tourism, paid trib­ute to him as an artist active through­out the world, espe­cial­ly in the USA, who through impor­tant research in the fields of music and art has brought renown to his home city of Udine and made an excep­tion­al con­tri­bu­tion to the dis­sem­i­na­tion of Ital­ian and Friu­lian cul­ture beyond the coun­try’s borders.

Olgierd Dokals­ki

Trum­peter, com­pos­er with a broad inter­est in folk cul­ture, direc­tor and screen­writer. A grad­u­ate of the Mil­i­tary Uni­ver­si­ty of Tech­nol­o­gy and of the Script and Stu­dio Prób cours­es at the Waj­da School. By train­ing a cyber­neti­cist, and a would-be cul­tur­al anthro­pol­o­gist. Founder and leader of the post-rock, folk and jazz avant-garde quin­tet Dak­tari. In 2012, com­mis­sioned by the Nowa Muzy­ka Żydows­ka fes­ti­val, he brought into exis­tence the Pol­ish-Israeli-Bel­gian quar­tet nor cold, with which he inter­pret­ed Sephardic songs from the Balka­ns from the ear­ly 20th cen­tu­ry. He cur­rent­ly leads the for­ma­tion kIRk. Author of the solo album “Mirza Tarak,” in which, through a con­cept album for­mat, he gives expres­sion to his Tatar cul­tur­al-genealog­i­cal inter­ests. Final­ist in the Script Pro com­pe­ti­tion and award recip­i­ent in the Script Wars com­pe­ti­tion for the screen­play Don­meh. The emo­tion­al trum­pet play­ing of Olgierd Dokals­ki has been praised in the high­est terms by Michael Gira — leader of the cult rock group Swans, pio­neer of future-jazz trum­pet Nils Pet­ter Molvaer, and the god­moth­er of new sounds (who host­ed a show on BBC Radio 1 for many years) Mary Anne Hobbs.

Ksaw­ery Wój­ciński­Dou­ble bass play­er, com­pos­er, vocalist.

A grad­u­ate of the Music Acad­e­my in Bydgoszcz.

For over a decade he has ranked among the most impor­tant artists of his gen­er­a­tion. He is a rec­og­nized fig­ure on the impro­vised music scene and moves com­fort­ably across many musi­cal worlds, col­lab­o­rat­ing with the most out­stand­ing musi­cians of the impro­vised scene.

He can be heard on over thir­ty albums both as a leader and as a side­man. Among the most impor­tant are albums record­ed with the leg­endary ensem­ble Hera, the Charles Gayle trio (Christ Ever­last­ing), Szpil­man togeth­er with Uri Caine, and the solo album The Soul, as well as Delu­sions and With all due respect record­ed with his broth­ers Szy­mon (piano), Mau­rycy (trum­pet) and drum­mer Krzysztof Szmańda.

He increas­ing­ly draws on voice in his work, which has become an excel­lent com­ple­ment to the sound of the dou­ble bass. He is part of Mani­ucha Bikon­t’s ensem­bles and of the out­stand­ing folk-root­ed for­ma­tion TULEJE.

He col­lab­o­rates with many out­stand­ing artists, includ­ing Hamid Drake, Nicole Mitchell, Satoko Fuji, Alan Bern, Franz Hautzinger, Amir ElSaffar.

Mar­ta Grzywacz

Varsov­ian, impro­vis­er, teacher.

A grad­u­ate of the Fry­deryk Chopin Uni­ver­si­ty of Music. As a pianist she serves as a dance accom­pa­nist. As a teacher she sup­ports the musi­cal devel­op­ment of stu­dents using the rich resources of the Émile Jaques-Dal­croze method.

As a mem­ber of Hash­tag Ensem­ble she per­forms vocal parts in new­ly cre­at­ed works.

In 2023 at Hash­tag Lab she ini­ti­at­ed f.i.m.m., a series of con­certs by impro­vis­ing duos.

As an impro­vis­er she has col­lab­o­rat­ed with, among oth­ers, Sebas­t­ian Mac and Pauli­na Owczarek (album What is that? released by Scat­ter Archive) and Anna Gadt, Gosia Zaga­jew­s­ka and Natalia Kor­diak (album Voice Act released by Fun­dac­ja Słuchaj!).

Tickets

40 PLN

Upcoming