Dźwiękość

Chance, planned chance, chance that is con­sid­ered and cre­ative­ly devel­oped, a non-acci­den­tal lan­guage born of chance, chance repeat­ed yet uncon­trolled, a pre­cise­ly con­sid­ered, planned and coor­di­nat­ed sit­u­a­tion refer­ring to uncon­sid­ered actions lead­ing to the irre­versible and the inevitable; an exact­ly cal­cu­lat­ed, pul­sat­ing phys­i­cal formula.

A gen­tle touch, direct con­tact, pal­pa­to­ry sen­sa­tions, the bound­ary between touch and dis­tance, nec­es­sary dis­tance, close prox­im­i­ty, strict­ly defined space.

Skin. Fin­ger­tips, skin. Touch. Objects, things, elec­tric impulse, del­i­cate refined instru­ments, sal­vaged objects. An invis­i­ble field and vis­i­ble vibra­tions. The bound­ary between the vis­i­ble wave and the per­ceived sound. 

At times seem­ing­ly con­tra­dic­to­ry, all of these have led to the cre­ation of works that explore the del­i­cate rela­tion­ship between per­former, objects and electronics.

Programme:

Justi­na Repečkaitė — Pul­sat­ing Skin

Jas­na Veličković — sUn  for mag­nets and elec­tro­mag­net­ic coils 

Eugene Ughet­ti — Finale (from Trans­duc­er) for feed­back and tam-tam

Ash Fure — Shiv­er Lung — for two sub­woofer membranes

Krzysztof Wołek Fringe*

*world pre­miere

Performers:

Tomek Szczepa­ni­ak per­cus­sion and objects 

Production:

pro­gramme con­cept and text: Tomek Szczepa­ni­ak                  
pro­duc­tion: Olga Pasek
visu­al iden­ti­ty: Alek­san­dra Ołdak
sound engi­neer­ing: Kos­ma Standera

The Hash­tag Lab Con­tem­po­rary Music Space is co-financed by the Cap­i­tal City of War­saw.
The media patron of the Hash­tag Lab Con­tem­po­rary Music Space is POLMIC​.PL and Dwój­ka Pol­skie Radio.

The work Fringe was realised with a schol­ar­ship from the Min­is­ter of Cul­ture and Nation­al Heritage

This project was sup­port­ed, in part, by a Foun­da­tion for Con­tem­po­rary Arts Emer­gency Grant