Wprowadzenie do metody Michaiła Czechowa

A one-off, two-hour, inten­sive ses­sion that will intro­duce par­tic­i­pants to one of the most inspir­ing and cre­ative act­ing tech­niques of the 20th century.

The Michael Chekhov Method, val­ued by, among oth­ers, Antho­ny Hop­kins, Mar­i­lyn Mon­roe, and Clint East­wood, com­bines work with imag­i­na­tion, impulse, and the so-called psy­cho­log­i­cal ges­ture, allow­ing the actor to tran­scend their own lim­i­ta­tions and reach gen­uine expres­sion.
Dur­ing the work­shop, par­tic­i­pants will learn the foun­da­tions of this method and its appli­ca­tion in stage prac­tice, dis­cov­er how imag­i­na­tion can become a source of liv­ing, authen­tic action, explore the role of the psy­cho­log­i­cal ges­ture as a tool for build­ing a char­ac­ter, and — through exer­cis­es draw­ing on ele­ments of mime — devel­op pre­ci­sion of move­ment, aware­ness of ges­ture, and con­scious use of body language.

The work­shop is open both to those with act­ing expe­ri­ence and to those who are just begin­ning their adven­ture with the­atre. This is a space for explo­ration, exper­i­ment, and work in an atmos­phere of cre­ative freedom.

Workshop leader:

Ireneusz Wojaczek

Registration:

690 691 552

 [email protected] 

The Hash­tag Lab Con­tem­po­rary Music Space is co-financed by the Cap­i­tal City of War­saw.
The media patron of the Hash­tag Lab Con­tem­po­rary Music Space is POLMIC​.PL and Dwój­ka Pol­skie Radio

More about the leader:

Ireneusz Wojaczek
Sculp­tor, visu­al artist, graph­ic design­er, and ver­sa­tile actor. Grad­u­ate of the Acad­e­my of Fine Arts in War­saw, sculp­ture depart­ment. He has been involved in the­atre since 2012, hon­ing his skills at the War­saw Cen­tre of Pan­tomime and at Stu­dio Teatral­ny Kadr. Grad­u­ate of the Meis­ner Lab­o­ra­to­ry and Michael Chekhov Stu­dio Poland. Cur­rent­ly study­ing at the War­saw Film School. He has a total of 7 years of act­ing study and train­ing, 13 years of expe­ri­ence as a mime actor, and 8 years as a dra­mat­ic actor. He has active­ly par­tic­i­pat­ed in numer­ous cours­es and work­shops led by dis­tin­guished actors and direc­tors, includ­ing Lionel Menard, Alek­sander Nean­der, Wol­fram Bodek­er, Greg Gold­ston, and Radim Viz­vary. He par­tic­i­pat­ed in act­ing work­shops led by direc­tor Jago­da Szelc and by cast­ing direc­tors includ­ing Zbig­niew Dzięgiel, Mał­gorza­ta Adams­ka, Nadia Lebik, Moni­ka Figu­ra, and Pauli­na Kra­jnik. He has col­lab­o­rat­ed with the Grand The­atre — Nation­al Opera in War­saw, the War­saw Cham­ber Opera, the Dra­mat­ic The­atre of the Cap­i­tal City of War­saw, the Grand The­atre of Stanisław Moniuszko in Poz­nań, and oth­er cul­tur­al insti­tu­tions. He has also appeared at numer­ous fes­ti­vals in Poland and abroad, includ­ing in Por­tu­gal at “Fes­ti­val Pro­jec­to Em Canal”. He has per­formed in pro­duc­tions of Leszek Mądzik’s Plas­tic The­atre. He has cre­at­ed more than 30 diverse act­ing roles on the stage. Among well-known titles: “The Cru­cible” by Arthur Miller, “Il padre del­la sposa” based on the film by Pao­lo Gen­ovese, “The Ser­vant of Two Mas­ters” by Car­lo Goldoni, “The Impor­tance of Being Earnest” by Oscar Wilde, “The End” based on “Juste la fin du monde” by Jean-Luc Lagarce, “The Selec­tion Method” based on “El mètode Gron­holm” by Jor­di Gal­cer­an, “I’ll Tell Mum” based on “Poo­bied­nie igraszky” by Roma Mahieu, “Leg­end of the Baltic — Feliks Nowowiejs­ki” direct­ed by Robert Bon­dara, “Kurt Weill — The Sev­en Dead­ly Sins” direct­ed by Mika Rosen­feld, “Miss HIV” by Maciej Kowalews­ki, “Zamężek” based on “The Mar­riage” by Niko­lai Gogol, and many oth­ers. He has appeared in sev­er­al tele­vi­sion series and short films. Instruc­tor of the art of mime and the­atre pedagogue.

Tickets

Free Entry