Tkanki tożsamości: międzypokoleniowe warsztaty dla kobiet

The work­shops will com­bine con­ver­sa­tion, work with images (pho­tographs and con­tem­po­rary art), and sim­ple move­ment tasks that help express what is some­times hard to put into words. This is time to pause, to lis­ten to your­self and to oth­er women — moth­ers, daugh­ters, grand­moth­ers — and to search for the com­mon threads run­ning through our experiences.

👉 The mate­r­i­al gath­ered dur­ing the work­shops will serve as inspi­ra­tion for a per­for­mance in which the voic­es of women of dif­fer­ent gen­er­a­tions will resound in a shared sto­ry.
👉 Par­tic­i­pa­tion in the work­shops is free of charge

👉 Places are lim­it­ed — reg­is­tra­tion is required. Please send your appli­ca­tions to: [email protected] 

The work­shop will be led by chore­o­g­ra­ph­er Liwia Bargieł-Kiełbow­icz, visu­al artist Mar­ta Jar­nuszkiewicz, and psy­chol­o­gist Weroni­ka Morawiec.

Pro­duc­tion:
organ­is­er: Sto­warzysze­nie Super­mar­ket Artysty­czny
pro­duc­tion: Zofia Zajkows­ka
visu­al iden­ti­ty: Alek­san­dra Ołdak

The project is co-financed by the Cap­i­tal City of War­saw
The Hash­tag Lab Con­tem­po­rary Music Space is co-financed by the Cap­i­tal City of War­saw.
The media patron of the Hash­tag Lab Con­tem­po­rary Music Space is POLMIC​.PL and Dwój­ka Pol­skie Radio.

Work­shop leaders

Liwia Bargieł-Kiełbow­icz
Grad­u­ate of the Trin­i­ty Laban Con­ser­va­toire of Music and Dance in Lon­don. Doc­tor of Arts in the field of The­atre Arts. Lec­tur­er at the Alek­sander Zel­werow­icz The­atre Acad­e­my in War­saw.
As a dancer she has appeared in pro­duc­tions by, among oth­ers, Car­olin Finn, Guil­herme Both­e­lo, Maciej Kuźmińs­ki, Hygin Deli­mat, Mikołaj Mikoła­jczyk, Tomek Ciesiel­s­ki, Ula Sick­le, Elwira Piorun, and Walde­mar Raźniak.

She is the chore­o­g­ra­ph­er for the the­atre pro­duc­tions Joan­na Sza­lona. Królowa, Trage­dia Jana X (dir. W. Raź­ni­ak), Opowiadanie Brazyli­jskie (dir. M. Hyc­nar), Demon Teatru, czyli mniejsza o to (dir. A. Doma­lik), Wiedźmin (dir. W. Koś­ciel­ni­ak), Trąb­ka do słucha­nia (dir. M. Bed­narkiewicz). Direc­tor of the the­atre pro­duc­tions: Ilu­mi­nac­je, Witzel­sucht, Szron/Frost, Body Bank, Encore, and co-author (togeth­er with Lil­ian­na Krych) of a per­for­ma­tive inter­pre­ta­tion of Trea­tise by Cor­nelius Cardew (com­mis­sioned by Warsza­wska Jesień 2016). Since 2015 she has col­lab­o­rat­ed with visu­al artist Mar­ta Jar­nuszkiewicz, with whom she has cre­at­ed the works Nullpunkt, Pozy­c­ja początkowa – wer­tykalna, Tachyp­noe, Pro­jekt Anaberg. Since 2020 she has worked with visu­al artist Bartłomiej Kiełbow­icz. Togeth­er they cre­at­ed the video series Pan­de­mo­book and the per­for­mance Stretch­ing. Since 2024 she has appeared in Weroni­ka Pel­czyńska’s pro­duc­tion Dances for Lucia, made in col­lab­o­ra­tion with Klang Forum Wien for Implus­tanz Fes­ti­val.
Mar­ta Jar­nuszkiewicz
Visu­al artist, edu­ca­tor, lec­tur­er at the Acad­e­my of Fine Arts and the War­saw Film School. Grad­u­ate of the Media Arts Depart­ment of the War­saw Acad­e­my of Fine Arts. She lives in Berlin. Her works have been shown at, among oth­er venues, the Acad­e­my Salon in War­saw, GSW in Opole, West­er­gas­fab­riek in Ams­ter­dam, Teatr Nowy in War­saw, BWA in Zielona Góra, Lokal_30 in War­saw, the Cen­tre for Con­tem­po­rary Art in Min­sk, and the Ethno­graph­ic Muse­um in War­saw. She is a lau­re­ate of sev­er­al awards, includ­ing the Grand Prize in the com­pe­ti­tion for the Best Degree Show Works in Media Art at Wro Media Art. In her artis­tic prac­tice she cre­ates mul­ti-chan­nel video instal­la­tions, ani­ma­tions, move­ment com­po­si­tions, and per­for­ma­tive actions. Her works focus on diverse mod­els of move­ment inscribed with­in socio-polit­i­cal real­i­ty, seek­ing with­in it a crit­i­cal poten­tial. For two years she has been con­duct­ing inde­pen­dent aca­d­e­m­ic research into the broad ques­tion of arts edu­ca­tion, ques­tion­ing its sta­tus quo. In 2024 she launched the ART ASK project, an incu­ba­tor and space for cre­ative and crit­i­cal dia­logue about con­tem­po­rary edu­ca­tion­al prac­tices in the arts. As part of the project she hosts the ART ASK pod­cast, avail­able on stream­ing plat­forms. She is also the ini­tia­tor and cura­tor of the 3‑ELEMENTS plat­form, oper­at­ing at the inter­sec­tion of three areas: art, edu­ca­tion, and ecol­o­gy, enrich­ing dis­course on eco­log­i­cal artis­tic and edu­ca­tion­al prac­tices that draw on cul­tur­al diver­si­ty, sit­u­at­ed knowl­edge, and inter­gen­er­a­tional exchange.
Weroni­ka Moraw­iec
She is a psy­chol­o­gist and occa­sion­al art cura­tor. Since 2018 she has com­bined work as a ther­a­pist and cura­tor of artis­tic projects with car­ing for two sons. She is a co-cre­ator of Plenum Osób Opieku­ją­cych Się and the NOKS col­lec­tive, and was a par­tic­i­pant in the Cura­to­r­i­al Inten­sive pro­gramme at the Con­tem­po­rary Art Bien­nale in Lagos, Nige­ria. In 2021 she was the cura­tor of an artist res­i­den­cy at Goy­ki 3 Art Inku­ba­tor in Sopot; in 2023 she appeared along­side Noks at the 35th Graph­ics Bien­nale in Ljubl­jana. She cur­rent­ly most enjoys co-cre­at­ing texts with artists and researchers and run­ning devel­op­men­tal work­shops built around the rela­tion­ship with one’s moth­er. She par­tic­i­pates in projects such as the con­fer­ence and pub­li­ca­tion “Light As A Cre­ative Tool” in col­lab­o­ra­tion with Prof. Robert Sochac­ki (E. Gep­pert Acad­e­my of Fine Arts in Wrocław), and the ON Pub­lic Gallery — an ephemer­al gallery appear­ing in pub­lic space. She is a spe­cial­ist in ther­a­py for peo­ple with addic­tion and co-depen­den­cy issues, cur­rent­ly under­go­ing Core Train­ing ISTDP psy­chother­a­py training.