Rust of Reverence: koncert i debata „Dzisiejsza kultura białoruska”
The title Rust of Reverence (literally “the rust of reverence” or “the erosion of glory”) alludes to the idea of the erosion of values, their abandonment and devaluation through time, shifting priorities and other circumstances.
Rust of Reverence is a work for ensemble, live electronics and video.
The work is deeply rooted in the tradition of Belarusian culture — the homeland of the composer, Andriej Evdokimov. In the musical narrative layer the composition refers to the richness of that culture, while simultaneously pointing to its fragility in the difficult socio-political reality. It is a reflection on the survival of culture and tradition in a world that often forces them to hide or radically transform.
In the electronic layer, original Belarusian folk songs and instrumental music have been used, subjected to intense digital transformations that preserve subtle echoes of the original material while simultaneously lending it a disturbing, inhuman quality. The video layer introduces visual references to the theme of the erosion of cultural memory and the significance of roots. The composition consists of 13 parts, lasting approximately 55 minutes.
Rust of Reverence is not only a musical narrative, but also an artistic meditation on memory, loss and the attempt to find new meaning in a distorted heritage.
During the event there will be a world premiere of Andriej Evdokimov’s composition Rust of Reverence, as well as a discussion panel on the situation of Belarusian artists. With the participation of creators from Belarus and Wojtek Zrałek-Kossakowski from Krytyka Polityczna, during the panel we will discuss the situation of Belarusian culture in recent years.
Participants in the discussion:
Olga Mzhelskaya — visual arts curator
Olia Aniska — cultural manager, independent researcher
Program:
Andriej Evdokimov Rust of Reverence*
*world premiere
Performers:
Ania Karpowicz fluteGabriela Graboń viola*Dominik Płociński celloAndriej Evdokimov live electronicsPalina Kamarowa video
Adam Eljasiński clarinet
*Akademia Pro
Production:
Curator: Wojciech Błażejczyk Production: Marta Piórkowskavisual identity: Aleksandra ŒdakSound engineering: Andriej Evdokimov, Wojciech Błażejczyk
More about the artists/works:
Andrew Evdokimov – musician, composer, music producer and sound engineer born in Belarus. Currently lives in Warsaw. He is a graduate of the Feliks Nowowiejski Music Academy in Bydgoszcz (theatre and film music composition) and the Academy of Journalism and Sound Production in Warsaw (sound engineering). In recent years he most frequently works on theatre projects as composer and sound engineer. In his works he uses a combination of various techniques and styles, and his music is often characterized by a dark mood and themes connected to the tragedy of human existence in the world.
Palina Kamarova – multimedia artist born in Belarus, she is a graduate of the Academy of Fine Arts in the Faculty of Media Art. She currently lives and creates in Warsaw. In her works she uses photography, photogrammetry, point clouds and digital scans. Creator of video works, photographs, VR experiences with elements of volumetric film. In her projects she addresses the problems of identity, oppression, trauma and spaces of memory.
The project was realized within the framework of the Gaude Polonia Scholarship Programme of the Minister of Culture and National Heritage.
The Hashtag Lab Contemporary Music Space is co-financed by the Capital City of Warsaw. The media patron of the Hashtag Lab Contemporary Music Space is POLMIC.PL and Dwójka Polskie Radio.
Co-organizers of the event are Jasna 10, the Community Cultural Institution of Krytyka Polityczna.